Typically Gogol

Just like Pushkin Gogol is considered to be the father of Russian literature. Pushkin provided a modern language for future writers and proved to be an inexhaustible source of inspiration, and Gogol gave Russian literature its’ own identity and he wrote the first Russian novel: Dead Souls. He doesn't quite fit into a genre, his work has both romantic and realistic elements, and one could even say that he was a fantastic realist avant la lettre.


His career


Gogol was born in the Ukraine from Cossack descent. At school the other children called him a ‘mysterious dwarf’, but his mother adored him. When he was nineteen he moved to Petersburg to become either an actor or a writer. At the time folklore was very popular in Petersburg and writing about the Ukraine was easy for Gogol. His first collection of stories, Evenings on a farm near Dikanka (1832), was soon a modest success.


He followed it up with another set of Ukrainian stories, Mirgorod (1835). His first big success came with his play The Government Inspector (1836). It managed to get through the strict censure, even though Gogol parodied the bureaucracy in Russia. The so called Petersburg stories were written between 1835 en 1842. With that first of all great Russian novels, Dead Souls (1842) Gogol’s star was firmly set on the Russian firmament.


Great sense of humour


Gogol was a genius when it came to making ordinary situations comical. Dead Souls, described as an ‘odyssey through the great Russian land’, is riddled with anecdotes and eccentric characters. No one escapes Gogol's satire. There is a hilarious scene where two servants come back to the hotel where their master stays in an apparent state. They need fifteen minutes to conquer the stairs. Once inside they fall asleep immediately and soon the whole hotel is snoring. Quite a funny situation already. But add to that one person who is not asleep, a lieutenant, of absolutely no relevance to the rest of the novel, who has just bought four pairs of new boots and is parading up and down his room in them, admiring them and unable to take them off. That's when we have Gogol's inimitable sense of humour*.


Style


His writing style is rather old fashioned and complicated in Russian. Even though he wrote in Russian, he used a lot of Ukrainian words. He had a great sense of humour, but it is not always clear where he gets serious. His characters are described in detail by their appearance and actions, but unlike Tolstoy and Dostoevsky, Gogol does not provide any psychological insights into their behaviour, nor do his characters develop. And he is terrible when it comes to describing women, probably because he simply didn't know many women.


Influences


Gogol was influenced by his paternal grandmother, who told him all about Ukrainian folklore and superstitions, Cossack legends and taught him the old songs. He corresponded with his contemporary Pushkin and it was he who stimulated Gogol to write, and supposedly gave him the idea for Dead Souls. Dickens’s influence can also be felt, as well as Homer’s and Walter Scott’s.


Gogol, in turn, has influenced all Russian writers after him, particularly Dostoevsky and Bulgakov, who frequently mentioned him in their works. Franz Kafka was a big admirer, and his famous novel, Die Verwandlung, was clearly inspired by Gogol.


Finally


Gogol was rather eccentric himself, with his funny haircut and small physique. He never married, although it is not clear if he was perhaps homosexual. He liked to travel, probably that was his Cossack blood stirring, and was abroad for long periods of time. He died at the age of 42, shortly after famously burning parts of part two of Dead Souls, one of the big mysteries in Russian literature**. He had more or less starved himself to death.


Gogol may not have left a huge legacy on paper, but his legacy in Russian literature is enormous***. At this very moment people all over the world are reading one of his books with tears of laughter rolling down their faces.



*This sense of humour made Pushkin sad, he saw the sadness behind the smile.

**Bulgakov refers to this incident in The Master and Margarita with the well known quote «Рукописи не горят – Manuscripts don't burn».

***See my piece about Taras Bulba https://arussianaffair.wordpress.com/2017/06/14/gogols-taras-bulba-a-milestone/


*****



© Elisabeth van der Meer / photos by me and from Wikipedia

Liever in het Nederlands? http://www.vanpoesjkintotpasternak.wordpress.com

Gogol’s Taras Bulba – a milestone

Gogol gave Russian literature its' own identity

Gogol's Taras Bulba (1842) is a milestone in Russian literature. If Pushkin provided a language and inspiration for future Russian writers, than Gogol gave them their own distinct identity. When you're reading Taras Bulba, you recognise so much of what has been written later.

The Romantic Era

Romanticism was the main literary movement in Russia from the end of the eighteenth century until halfway into the nineteenth century. Lermontov and Pushkin are the most famous writers of this period. The industrial revolution sparked an interest in all things pure, natural, past and authentic.

Gogol was an Ukrainian with Cossack blood running through his veins living in Saint Petersburg. When everything to do with Little Russia, as the Ukraine was called back then, became hugely popular there, he cleverly wrote Taras Bulba. The story is full of Ukrainian words, folklore and Cossack customs.

The story

It's a rather violent story. The hero of the story, Taras Bulba, is a Cossack headman, who in order to complete his sons' education, takes them to fight against the catholic Poles. The youngest walks over to the other side for the sake of a Polish girl and for that his father kills him, while the oldest gets tortured to death by the Polish in front of his father. Not for the faint-hearted.

“Oh, steppes, how beautiful you are!”

The story has often been criticised. Historically it's incorrect and the centuries are mixed up. The Cossacks are so violent that they would make the average Isis soldier look away. A Polish servant girl escapes through a secret tunnel from the city that has been besieged by the Cossacks. She wakes up the youngest son to tell him that his sweetheart is among the starving in the city. Together the go through the tunnel into the city, where indeed the people are dying in the streets. Why didn't they just all escape through that tunnel?! The love story is not at all plausible. Gogol talks about the unspoiled Steppe, 'upon which were sprinkled millions of different flowers', and 'the air was filled with the notes of a thousand different birds', and more of this.

Its' Follow-ups

Dostoevsky apparently said once that every Russian writer came from underneath Gogol's Overcoat. He was a huge fan of his work and found him very inspiring. In The Brothers Karamazov (1880) there is a rather painful scene that appears in Taras Bulba too: an emaciated woman with a infant clutched to her dried out breasts. Just like Gogol, Dostoevsky was fascinated by the excesses of human existence.

Turgenev most definitely took inspiration from Taras Bulba. Especially the striking nature scenes resound even more beautifully in Turgenev's work. His Acia (1858) contains many Romantic elements and there too the protagonist falls in love with a lively dark-eyed girl.

And in Tolstoy's Cossacks (1863) too: it starts more or less the same. The protagonist is traveling to the Caucasus and thinks about his past and future. The scene is reminiscent of Taras Bulba departing with his sons, each with their own thoughts. Tolstoy's protagonist is very much attracted by the Cossack way of life and he too falls in love with a spirited dark-eyed girl. Tolstoy's Cossacks are not as violent, though.

Hadji Murat (1904) is most similar. Both stories are named after their hero, and both heroes are exotic leaders, feared and admired by all. It breathes the same atmosphere, we encounter the same freshly plastered walls and the same girls with coins on their necklaces. Tolstoy's last fictional story would appear to be an homage to Gogol.

Conclusion

Gogol used a lot of humour in his work. Although it is not always clear if he meant something as humorous or if he was genuinely exaggerating, I'm more inclined to consider the former. If Taras Bulba slays six enemies with one sway with his sword, surely that is meant to be funny. All in all it's a pretty good story, just like Pulp Fiction is a pretty good film. Is it one of the ten best books ever written, like Hemingway once claimed? No, that really is exaggerated. But it is definitely a milestone well worth reading.



© Elisabeth van der Meer

The illustrations are from an old Russian edition of Taras Bulba

I read the Peter Constantine translation

 

Typically Dostoevsky

Russian literature from the second half of the nineteenth century aims to describe and analyse life in all its aspects. This literary movement is called Realism. Next to Tolstoy and Turgenev the third giant in this genre is Dostoevsky (1821-1881) of course.

Literary History

The start of his career as a writer is legendary: after the military academy he knew that a military career was not for him and he started writing seriously as soon as possible. He gave his first novella, Poor Folk, to his friend Grigorovich to read. Grigorovich read it together with Nekrasov, the most influential critic at the time. They finished reading it at four in the morning. Their enthusiasm was such, that they went straight to Dostoevsky and woke him up. They congratulated him Russian style on his literary talents, and the rest is history…

Influences

Dostoevsky was mostly influenced by gothic and romantic writers such as Walter Scott, Ann Radcliffe, Dickens, Schiller, Pushkin and Karamzin. He, in turn, influenced writers like Kafka, Sartre, Bulgakov, Gide and Nietzsche. To name but a few. His most famous novel, The Brothers Karamazov, was and is a favourite of Stalin, Camus, Joyce and Putin. It was lying on Tolstoy's nightstand when he died.

Before and after Siberia

Dostoevsky's work can be devided into two parts: before and after Siberia. In 1849 he was sentenced to four years of forced labour and another four years of exile in Siberia, due to his political engagements. His works from before Siberia are perhaps a bit more sentimental, more romantic. From this period we have Poor Folk, White Nights, The Double and Netochka Nezvanova. After Siberia he wrote The Player, The Idiot, The Possessed, Crime and Punishment and, of course, The Brothers Karamazov. These works are darker and more thought provoking.

Great psychological insight

Dostoevsky is well known for his psychological character studies. His characters often personify one of his ideas, like Raskolnikov (Crime and Punishment) represents his theory that a select group of people could decide what's right and wrong for the majority, even murdering a bad person to save other people. His character seems contradictory at first sight; gentle and compassionate, but at the same time calculating and cold. Naturally both sides are necessary to carry out the theory. Another major Dostoevskian idea is spiritual regeneration through suffering. Raskolnikov is torn by remorse and doubt after his horrible deed. He is sentenced to a prison camp in Siberia and finally after a few years he starts to feel regenerated.

Ordinary people, small talk and everyday situations? There's none of that with Dostoevsky. You will meet a whole lot of pawn brokers, prostitutes, failures, misfits, nihilists, religious fanatics, gamblers, murderers and hysterical women, sometimes combined into one character. Recurring themes are religion, redemption, the mighty rouble, the innocence of children, lost honour, suicide, alcoholism and epilepsy.

Punishment in Siberia

His involuntary stay in Siberia influenced him tremendously and Dostoevsky's work contains many autobiographical elements. In those days the labour camp was mixed, the political prisoners sat together with the criminals. The circumstances were almost unbearable and he learned a lot about people. He observed murderers from close by.

Style

His writing style is very enthusiastic. He talks to the reader, draws him into his exciting and scandalous story, and demands him to think about the big questions in life. He often had to finish his books before a certain deadline, to earn money to pay off his gambling debts. As a result his style is a bit hasty. He did not take the time, like Tolstoy, to endlessly revise. Most of the action takes place in the course of a few days and in a room full of people. As Nabokov has pointed out, this and the lack of background details, make his novels feel more like a play. He thinks Dostoevsky would have been better as a playwright.

In short

It's easy to recognise Dostoevsky; not a normal person in sight and everyone is in a heightened state of excitement. His novels are mostly written in the classical detective style. No detailed natural descriptions such as Turgenev wrote, only the most necessary. His characters don't go through any psychological growth, like Tolstoy's Pierre. But it's not all misery with Dostoevsky, he had a great sense of humour. He often gave his characters appropriate names; a 'raskolnik' for instance, is someone who separates himself, a nonconformist.

 

Dostoevsky is not for everyone, and not for every day either, but boring he is definitely not. Virginia Woolf described his work as follows:

 

“We open the door and find ourselves in a room full of Russian generals, their stepdaughters and cousins, and crowds of miscellaneous people who are all talking at the top of their voices about their most private affairs.”

 

Books read: Geschiedenis van de Russische Literatuur – Karel van het Reve

Lectures on Russian Literature – Vladimir Nabokov

Photos and dates from Wikipedia